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Marko’s description about the wind being a constant companion really comes through in the image. You can almost feel it in the way the grasses are flattened near the edge, and the waves look active, not still. The exposure is balanced, with no blown highlights or crushed shadows, which is good for a scene with such varied lighting.
One thing I’d gently note: the path itself, while interesting, is a bit too central and uniform in its placement. It could have benefited from a slight shift in angle — maybe a tighter crop or a different vantage point — to add more dynamic tension. The horizon line is a touch high, which slightly flattens the sense of scale. A bit lower might have emphasized the drop to the sea more dramatically.
Still, it’s a decent, workable shot — one you’d be happy to include in a series on Madeira’s coast. The raw elements are there: wind, water, rock, sky — and the photo respects them without overhandling. It’s not flashy, but it’s honest. That’s often the best kind.