Strong use of directional light again—how it carves the form, especially on the skin and the sheer fabric, is really effective. The way she leans into the wall, almost melting into the texture, gives it a grounded, almost sculptural feel. The tattoos are visible but not the focus—they just add to the quiet intensity. I’ve seen this kind of raw, sun-drenched intimacy in his work before, and it still lands. Solid composition, natural tension.
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1-8 March, guest voting
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