Good light, strong contrast — the way the sky cuts across the city behind her gives the frame a real sense of place, not just a backdrop. She’s settled into the chair with a natural ease, legs open, arms relaxed — no forced pose, just presence. The black-and-white choice works well here; it strips away distraction and lets the form and the mood carry the weight. I’ve seen Alex’s work before — he’s got a way with light that feels intentional but not overdone. This one’s got that same quiet confidence. Clean, grounded, and honest.
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