At the Edge of Time

Thomas has a way of letting the city settle into the frame — not rushed, not dramatized. This one, with its long exposure, softens the water into a smooth plane, almost like a mirror that’s been left out too long. The skyline holds its ground — that bell tower and domed facade stand firm, while the sky drags its layers across the top like a slow wipe. Monochrome suits it, strips away the distraction, lets the shapes and tonal transitions do the talking.

I’ve seen his work before — that quiet patience in the way he frames Venice, the way he lets the light linger. It’s not flashy, but it’s steady. There’s a certain restraint here, a respect for the place, not trying to force emotion. The buildings feel grounded, the water calm, and the sky — well, it’s just there, moving, as it always does.

If anything, maybe the horizon could be a touch tighter — the lower edge of the sky bleeds into the water a bit too much, softening the separation. But that’s a small thing. Overall, it’s a composed, thoughtful image. You can tell he’s spent time here, not just shooting, but waiting.

Интересно подано!

Отлично!

superb!

Great 👍👍👍