The body is suspended, not falling — tension in the arms, release in the legs. The ribbons are not decoration; they’re part of the structure, pulling the form into a lean, controlled arc. The floor and the block are minimal, clean. The light is even, cool, focused on the curves without flattery. The pose in the first image — one foot on the block, the other extended — suggests motion just before or after a leap. In the third, the body is angled down, the ribs and spine drawn tight. The second image, standing upright, is the quietest — almost a pause.
What determines the height of the ribbons above the floor? The distance changes the angle of the pull, the tension in the body. Is that deliberate?
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What determines the height of the ribbons above the floor? The distance changes the angle of the pull, the tension in the body. Is that deliberate?