In Echoes of Dust, dust becomes a visual and temporal medium, carrying traces of human memory as moments form and fade.
Set within Hadramout’s dirt fields, football is no longer just a game, but a daily practice revealing an ongoing negotiation between the human body and a harsh environment—where movement becomes trace, and trace becomes a visual record of resilience.
Through black and white, the work strips away distraction to reveal a deeper tension between presence and absence, where shadows function not as aesthetic elements, but as a structure that reshapes the image into a space of memory.
The project does not document the event itself, but contemplates what remains—trace as evidence of human persistence.
