The lighting here is striking—cleanly separating the subject from the deep black background. The texture of the fabric adds a nice tactile element to the composition, and your eye for makeup details, particularly that winged liner, really anchors the portrait. It’s a strong, moody image with good contrast.
Mehdi, did you use a specific type of lighting modifier to get such a sharp edge on the subject?
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Mehdi, did you use a specific type of lighting modifier to get such a sharp edge on the subject?